Shin Kamen Rider, Kamen Rider ZO, and Kamen Rider J

I would like to take this time to reflect on possibly the most heart-wrenching time to be a Kamen Rider fan. No, not 2003.......the 90s...

I've mentioned the weirdness of the 90s many times in the past on my blog, but I've never really talked about the Kamen Rider films on their own. So I recently sat down and watched the three films and one mortifying viewing of Shin long story followed by two regular viewings of ZO and J--I feel qualified to talk about them again!

So let's begin with Shin, shall we?

Shin Kamen Rider (Prologue) 1992

Shin Kazamatsuri is a test patient for research experiments to find cures for various diseases. The research, headed by Shin's father and the organization he works for, isn't as it seems on the surface. The shadowy syndicate funding the experiments, however, intend to create powerful cyborg creatures. Dr. Onizuka, who is carrying out these experiments and also performing them on himself, has his own motives to create super-human creatures by fusing their DNA with that of grasshoppers. Both Shin and Onizuka have become telepathic grasshopper based humanoids who are the targets of both the CIA and the syndicate. Onizuka is killed by the CIA, while Shin is forced into hiding. After learning that his girlfriend is pregnant with his child, however, he must save her and his captured father resulting in a massive battle between the syndicate's Level 2 Cyborg (Shin is the more advanced Level 3) as well as the CIA.


That may look like a very long and detailed description, but I left a ton of stuff out...

This film is almost 90 minutes long. We're talking about the very thorough and detailed origin of a complex creature who doesn't have to be rushed into a costume by the 12 minute mark. That said, this film would've definitely benefitted from some editing. Twenty or so minutes could have easily been cut to get the pacing better. Nobody would've missed it.

The feel of the film is certainly that of a drama. All of the sets are very practical and drab. In fact, the closest this film comes to having an over-the-top set is probably Onizuka's warehouse hideout. The labs, offices, outdoor settings, etc. are all very basic. The focus is definitely the story, all else comes second.

Do I like this film? Yes. I have always been fond of the grittiness of this movie. It was a new direction for Kamen Rider and VERY different from practically everything of the Tokusatsu genre before it. Shin himself looks awesome along with Level 2. The big blowout at the end is pretty damn spectacular as well.


Kamen Rider ZO 1993

Masaru awakens to a voice pleading with him to save Hiroshi. Meanwhile, another creature named Doras forms among a scrap-heap and sets out to find Hiroshi. Hiroshi, who is the son of the missing Doctor Mochizuki (and who Masaru was the lab assistant of), is confronted by Doras. ZO arrives and disposes of Doras after a short battle. Masaru proceeds to follow Hiroshi around while the badly damaged Doras removes himself from the spike he was impaled on and dispatches two creatures to capture Hiroshi while he is given time to heal. Kumo Woman and Kumori Man both cause trouble for Masaru and Hiroshi, the latter of which manages to capture Hiroshi. After Masaru tracks Hiroshi down, he defeats Kumori Man and discovers the captured Dr. Mochizuki. He explains that Doras is really Neo Organism, which is the true source of his power. After a battle, Doras is eliminated along with the grotesque Neo Organism. Dr. Mochizuki dies in the explosion following the battle. Masaru says his goodbyes to Hiroshi after delivering him to his grandfather and rides off into the sunset.


I'll cut right to the chase and say I love this movie. Everything about it is pure quality. They somehow took everything about Shin Kamen Rider, a great movie, did the opposite, and still came out with a fantastic movie.

The look of this film is tradition Tokusatsu fare. The crazy sets and iconic locations mixed with practical locations all looked perfect. The cinematography is beautiful...seriously, the look of this film (including the amazing effects) is so good that it could pass as a new film (I really want to see this on Bluray--I have the DVD).

Cameos! Lots of them here. Legendary singer Isao Sasaki (Goranger, JAKQ, loads of anime, etc.) plays Dr. Mochizuki. Several Metal Hero alum appear in the Karate scene. Off the top of my head it was Naomi Morinaga (Annie from Shaider), Kenji Ohba (Gavan), Masaru Yamashita (Fire from Winspector) and Iori Sakakibara (Draft Keace from Exceedraft). Oddly enough, Kou Domon, who plays Masaru/ZO would go on to play Sig in Blue SWAT. On top of that, Shohei Shibata joined the cast of Dairanger the same year as Akomaru.

I would say that I love both Shin and ZO equally. They're both very, VERY different movies. Shin is gritty as hell while ZO is beautiful and what you expect a flashy Kamen Rider film to look like. It really boils down to release. Shin was a V Cinema (direct to video) while ZO was shown at the 1993 Toei Hero Fair along with movies for Dairanger and Janperson.

I would recommend this film over Shin only because you are probably a nice person who enjoys sane things.


Kamen Rider J 1994

Kouji is an environmentalist photographer who is camping when he is joined by a young girl named Kana. They both witness Fog and the three Fog creatures, in their human guise, who immediately kidnap Kana for sacrifice and kill Kouji. Kouji is taken in by ground people and an insect named Berry who endow him with J Powers to defeat Fog and rescue Kana. Kouji takes on Agito, who initially killed him, and defeats him after a short battle. He is later challenged by Zu, who is defeated after a short battle. Kouji is taken inside Fog and learns of their origin and how their ways have destroyed the environment of Earth once before. As Garai prepares Kana for sacrifice, he begins to fight J. Kana is awoken after Berry interferes with the spell. Garai is defeated by J, who is now taken on by Fog Mother itself. J grows to 40m to battle the enormous Fog Mother, freeing Kana in the process. After a deadly Rider Kick, he ends up face to face with the real Fog Mother inside who wants to take J down with her. He manages to free himself and escapes as Fog Mother explodes. Following their adventure, Kouji and Kana are relaxing on the bank of the river--Kouji snapping away with his camera.


This movie stinks.


I suppose I should explain...

Top Seven Things Wrong With Kamen Rider J

1. The story is incredibly lazy. Environment=Good. Machines=Bad. Top that off with a kidnapped child and we're good to go.

2. The effects are awful. There is one...ONE cool shot in this film. There is a really long shot of Zu dragging J to Fog Mother. It looked pretty impressive, but I suspect this was entirely due to the angle that the camera was at in relation to the action. Everything else is garbage. I mean, at one point Garai has a lightsaber (complete with lightsaber sounds) to fight J. Rather than the "light" being a special effect, the sword itself was lit. It looked more like he was hitting J with a lightbulb.

3. The sets are terrible. Anything inside the Fog Mother tank/ship looks incredibly cheap. The only other sets are Kamen Rider Super 1's bridge, the river bank, the quarry, Berry's hideout.

4. The "J" is for "Jumbo". Ugh...

5. J, while Jumbo, is fighting a tank. It is possibly the most uninspiring fight ever. It's just a few minutes of J breaking things off of Fog Mother.

6. The narration. It's all over the place. It shouldn't exist in the first place. At some points there is a narrator, but then Geki Kouji was doing some of the narration when the dinosaur scene popped up.

7. Wooden acting...all parties guilty.

Some of the things this movie did right were probably with the suit (which was alright) and, well, this...

Dino Buckler!

A Henshin Belt! Finally...after being skipped over by Shin and ZO, J gives us a Henshin Belt. It might be pretty stupid looking, but it's something!

This movie manages to be the opposite of both Shin and ZO, which are opposites to each other, and be a bad film. It takes forever to see Kamen Rider (In ZO we saw him immediately with his first fight coming around the 9 minute mark), and when we do it's pretty pathetic. The bike stunts are cool enough, but are kinda an afterthought.

Good for a watch every once in awhile, but the lack of variety and copious continuity problems make this a difficult film to watch alongside Shin and ZO everytime.


To cap off the 90s Ishinomori film series we saw Jinzoningen Hakaider in 1995. I talked about that one in the past and definitely recommend a viewing!

I also reviewed all of the CD Soundtracks for these films a little while back. Give that a read for maximum completeness!

In the future I intend to review the original hero movies that Toei made (Lady Battle Cop, Zebraman and it's sequel) along with Kamen Rider: The First, Kamen Rider: The Next, and maybe even the three Sukeban Deka movies (1987, 1988, and 2006). Stay tuned for that!

Now if you'll excuse me, I'm off to beat up a giant, immobile tank because I'm a hero and DON'T YOU FORGET IT!


P.S. This post has a Top 7 List. More Top 7 lists here!


  1. I've liked Shin ever since I first saw it; the horror aspect of it, the serious and mature take was fresh. I never really thought it dragged -- at least when I first saw it in the late '90s, when it was still newish. Compared to things nowadays...yeah, I can rewatch it now and see where it's like "Wow, this thing likes to take its time, huh?" I think it would have done wonders for the movie if Toei had more faith in the project and didn't relegate it to V-Cinema.

    I loved ZO when I first saw it, but it's one that I've enjoyed less over time. I think a big problem for me is...Shin feels like just the first chapter in a bigger story, but it tells a whole story within that. ZO doesn't really do or say much; it's obvious they thought there would be more ZO adventures, but the movie needed a bit more to stand out itself. (Amemiya's visuals can only take you so far.) IIRC, the manga adaptation has a subplot in which ZO is in love with Naomi Morinaga's character -- that might have been cheesy or cliche, but it would have given Kou Domon something to do! (I don't think they even tell you his character's name in the movie!) I know there's deleted scenes to this movie, which I haven't watched, so I don't know if they help make the movie seem more complete.

    I laughed out loud at your J review. I hated J when I first saw it, and I still don't like it. It's just so boring and, as you said, really cheap looking. It doesn't have much of anything going for it, and it's sad that Yuuta Mochizuki gets wasted when he would have been a cool Rider lead. (People always pointed out how much he looks like Hiroshi Fujioka.) They're just really out of ideas when they're like "What can we do to make this guy stand out? How about he turns giant?" And to top that off, the whole movie's a corny green message... (It's pretty shocking that legendary toku writer Shozo Uehara wrote this. You think it would be more distinctive.) Not even the theme song is memorable! A bit of a sad note for Amemiya to go out on (as far as Rider is concerned).

    Looking forward to your reviews of The First and The Next...

    1. Your comment reminded me of something I meant to touch upon, but didn't--the origins of each Rider. Shin had an ongoing surgery to become Level 3, Masaru seemed to have been hastily diced up to become ZO (in a flashback, no less) and Kouji had that weird non-invasive surgery despite being the only one who was dead.

      That said, that was what I kinda liked about ZO. Did we *really* need to see "the surgery" again? Instead they went for the Terminator 2-esque opening, which I thought was serviceable. I really felt like there probably wasn't much to Masaru anyway.

      I always thought that Yuuta Mochizuki looked similar to Hiroshi Fujioka during Zyuranger. Glad I'm not alone on that one. Hahaa. His getting wasted on J is almost as criminal as Kane Kosugi getting wasted playing Ultraman Powered.

  2. Nice reviews.
    Sorry it took so long to reply (1 month overdue, but I digress).
    I have mentioned many time in the past that 90's was a magical/best years for tokusatsu especially 93'~95'.
    Kamen Rider, while it was on hiatus for TV series, it was nice that Toei gave us 3 movies for it.
    I haven't seen any of these 3 in while; although I have seen J few times, a while back.
    I might have to recheck those films in future.
    Toei REALLY should consider releasing those films in Blu-Ray as "Trilogy" Box set.

    I haven't seen Shin yet, but I really like the suit design.
    It's has those "anti"-Rider atmosphere, where it gave inspiration to Heisei Rider series.
    It's such a shame that they never made any sequel or follow-up, considering the fact it has the title "Prologue" in it. Oh well.
    Looking forward to see you review the figure in future.

    I remember seeing bits and pieces of ZO, but not the full movie.
    Judging by your description, ZO sounds like Empire Strikes back of Star Wars Trilogy, where second one is the best!
    The list of cameo is mind blowing for such a movie, however, that indicates how awesome toku movie or 90's was.

    As for J, I remember seeing those movies few times back in the day and liking it, but it's been so long since I've seen it, I might have to check it out.
    I remember liking this movie because I enjoy seeing Kamen Rider turned giant, where at the time, I was an Ultraman and giant monsters snob. LOL
    I like the suit design though. IMO, it might be my favorite among 3 movies.
    Maybe it might not age well from adult perspective though.
    Nice Top 7 list. LOL
    Also, nice Zyuranger joke.
    It's kind of ironic that return of "man-in-belt" happened to be a hero who used wear belt henshin device.
    It there was a Metal Hero series, that had belt henshin device, then Mochizuki would have been in all 3 Toei's "Belt" series. LOL

    It seems that this movies has been a forgotten/underrated gems for a while, since it took place between Showa and Heisei era, where it hasn't been discussed throughout majority of Heisei era. It's such a shame Toei never made/milked this movies by making TV series or OVA of some kind.
    Or at the very least, make a sequel/prequel novelizations of some sort; especially since most novelizations published currently are based on recent garbage Heisei era.

    1. I wouldn't call Shin the Anti-Rider really. It kinda amplifies the bleakness that the TV series and manga had but sets itself in a not-so-distorted reality. Just think of Kamen Rider BLACK's debut. That wasn't all that rosy. Heh.

      These films have always had a following. I kinda agree that the stories of Shin and ZO could've gone on, but the fact that they're one-offs makes them interesting. What if there is no story beyond the adventure we saw? As awesome as ZO was, the story has a beginning, middle, and end. Maybe there could be a plotline where we learn that Mochizuki was part of something bigger, but the scale of the story is perfect for a film. Shin could've gotten an entire series from his complex story...not to mention the ending was pretty open.